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About frazerlee

writer/director: On Edge, Red Lines, The Stay. screenwriter: Simone, Panic Button. bram stoker award nominated author: The Lamplighters, The Daniel Gates Adventures, The Jack in the Green, The Skintaker, Hearthstone Cottage. http://www.frazerlee.com

Elective madness, consumer riots & social psychopathy in the Age of Greed

Been thinking about my all-time fave author J.G. Ballard of late. I mean, feral gangs smashing and grabbing amidst the tower blocks? How very ‘High Rise’. A graphic designer arrested for looting? How very ‘Kingdom Come’.

I first read Ballard’s latter novel a couple of years ago, while still living in LondonTown. It resonated deeply with my innate hatred of, and perverse fascination with, shopping malls and rampant consumer culture in general.

As parts of London, and Birmingham, and then Manchester burned behind the cool indifference of my tellybox screen, I reached for Ballard on my shelf again. The terrifying prescience of his writing is at times a peculiar comfort.

In particular, I found myself recalling an exchange between the protagonist Richard Pearson, and wacky psychiatrist Dr Maxted (thanks to Laura Hird’s excellent book review site for saving me the effort of typing this extract) :

”Elective insanity is waiting inside us, waiting inside us to come out when we need it. We’re talking primate behaviour at its most extreme. Witch-hunts, auto-da-fes, heretic burnings, the hot poker shoved up the enemy’s rear, gibbets along the skyline. Willed madness can infect a housing estate or a whole nation.’

‘Thirties Germany?’

‘ Good example. People still think the Nazi leaders led the German people into the horrors of race war. Not true. The Germans were desperate to break out of their prison. Defeat, inflation, grotesque war reparations, the threat of barbarians advancing from the east. Going mad would set them free, and the chose Hitler to lead the hunting party. That’s why they stayed together to the end. They needed a psychopathic god to worship, so they recruited a nobody and stood him on the high altar. The great religions have been at it for millennia.’

‘States of willed madness? Christianity? Islam?’

‘Vast systems of psychopathic delusion that murdered millions, launched crusades and founded empires. A great religion spells danger. Today people are desperate to believe, but they can only reach God through psychopathology. Look at the most religious areas of the world at present – the Middle East and the United States. These are sick societies, and they’re going to get sicker. People are never more dangerous than when they have nothing left to believe except in God.’

‘But what else is there to believe in?’ I waited for Maxted to reply, but the psychiatrist was staring through the picture window at the dome of the Metro-Centre, fists gripping the air as if trying to steady the world around him. ‘Dr Maxted?’

‘Nothing. Except madness.’ Maxted rallied himself and turned back to me. ‘People feel they can rely on the irrational. It offers the only guarantee of freedom from all the cant and bullshit and sales commercials fed to us by politicians, bishops and academics. People are deliberately re-primitivizing themselves. They yearn for magic and unreason, which served them well in the past, and might help them again. They’re keen to enter a new Dark Age. The lights are on, but they’re retreating into the inner darkness, into superstition and unreason. The future is going to be a struggle between vast systems of competing psychopathies, all of them willed and deliberate, part of a desperate attempt to escape from a rational world and the boredom of consumerism.’

‘Consumerism leads to social pathology? Hard to believe.’

‘It paves the way. Half the goods we buy these days are not much more than adult toys. The danger is that consumerism will need something close to fascism to keep it growing. Take the Metro-Centre and its flat sales. Close your eyes a little and it already looks like a Nuremberg rally. The ranks of sales counters, the long straight aisles, the signs and banners, the whole theatrical aspect.’

‘No jackboots, though,’ I pointed out. ‘No ranting fuhrers.’

‘Not yet. Anyway, they belong to the politics of the street. Ourstreets are the cable TV consumer channels. Our party insignia are the gold and platinum loyalty cards. Faintly risible? Yes, but people thought the Nazis were a bit of a joke. The consumer society is a kind of soft police state. We think we have choice, but everything is compulsory. We have to keep buying or we fail as citizens. Consumerism creates huge unconscious needs that only fascism satisfy. If anything, fascism is the form that consumerism takes when it opts for elective madness. You can see it here already.’

‘In bosky Surrey? I don’t think so.’

‘It’s coming Richard.’ Maxted pursed his lips, as it to shut out all possibility of a smile. ‘Here and in the towns around Heathrow. You can feel it in the air.’

II believe we are living in the Age of Greed. A society built on the 1980s culture of me-me-me consumerism, and blended with the entitlement culture of the 1990s & 2000s (under a Tory ‘coalition’ government intent on squeezing the British Isles tighter than ever) is liable to burst. To tear apart at its sweatshop-stitched seams.

‘It’s coming… You can feel it in the air.’

You certainly can, J.G. 

Roll end credits:

And fade to red:

Panic Button: "British horror at its bloody best" (Sky Movies)

The title of this blog entry says it all really 🙂

Click here to see the smashing 4-star review of ‘Panic Button’ by Rob Daniel at Sky Movies.

Colour me chuffed. Huge congrats to the cast & crew!

If you’re in London in August and fancy seeing ‘Panic Button’ on one the largest screens in the cinematic universe, individual tickets for the FrightFest World Premiere (with Director & Cast in attendance) are selling like hot potootees.

News of the Weird

This blog entry title seemed apt, what with all the gutter press controversy kicking off over here in the UK. Please allow me to divert you for a few moments, dear reader, with some choice web-links as there’s been a bit of a frightfully freaking Frazer frenzy these past few days.

First off, Horrorworld.org announced the Samhain Horror Publishing line-up for October-December of this year. The new line is headed by genre publishing legend Don D’Auria, with new and backlist titles by such luminaries as Ramsey Campbell along with new blood including yours truly. I’m honoured to be in such esteemed company.

My horror novel ‘The Lamplighters’ is published November (in ebook, with paperback due 3 months later). Very exciting! In addition to the Horrorworld splash, check out Don D’Auria’s interview over at Fangoria, in which he talks up the Samhain Horror offering.

Horror/thriller feature film ‘Panic Button’, on which I served as screenwriter, got a lot of love following the announcement about the World Premiere at Film4 Frightfest London this August with coverage on Dreadcental, Bloody Disgusting and more. Frightfest’s very own Alan Jones gave ‘Panic Button’ the #1 spot in his Top 5 Frightfest Picks, and Brutal As Hell carried a glowing advance review by Nia Edwards-Behi. The film is lining up more festivals, including Wales’ brilliant Abertoir in November. More news as it comes.

Last but not least, I did a ‘1 Minute Interview’ with the lovely and talented Denise Gossett for the L.A.  Shriekfest newsletter. Sign up at their website for monthly horror industry goodies. You can see a PDF version of the newsletter, and interview, here.

That about covers it for now, meantime if any tabloid hacks would like to tap my phone, please be so good as to delete all the spam messages so I don’t have to… thanks 😉

Panic Button World Premiere ~ Film4 Frightfest 2011

Following the successful Market screening at Cannes in May, horror/thriller feature film PANIC BUTTON (on which I served as screenwriter) soars to new heights with the announcement of a World Premiere screening at Film4 Frightfest in London.

The premiere is set for 27th August at the Empire, Leicester Square and tickets go on sale tomorrow (full festival passes & tickets for individual screenings are available). Hope to see some of you there!

Needless to say, the Frightfest website collapsed under the sheer volume of horrorheads trying to access the site. Fear not, the full programme can be viewed here and you can keep up with Frightfest news as it happens via the festival’s Twitter feed.

Meantime, check out the Panic Button Facebook page for a tagline poll, behind-the-scenes photos and a brand new poster design (see above).

Just make sure you check the Terms & Conditions, muah hahahaha…

Panic Button in Hollywood Reporter Cannes Daily

A full page ad for the PANIC BUTTON world premiere appeared in Hollywood Reporter’s Cannes Daily today… pretty cool huh?

(you can see the full issue here, ad is on page 3)

Here’s wishing Team PB a successful screening tomorrow at the insane feeding frenzy that is the Cannes 2011 Marche du Film.

For updates on Panic Button, be sure to ‘like’ the Facebook page and follow on Twitter.

Scares That Care on Friday the 13th!

we scare ‘cos we care!

Happy Friday the 13th! Have you donated $5 to Scares That Care yet? All proceeds go to sick children and their families. Cool prizes will be given to donors at random (but it’s not about the prizes, it’s about helping needy kids, right? Right!) 


So what are you waiting for!?


PAYPAL $5 to: scares_that_care@yahoo.com

PLEASE DONATE 
& SHARE/TWEET/BLOG THIS.


Happy Friday the 13th!

Panic Button takes flight (to Cannes!)

A freaking flurry of ‘Panic Button‘ related press coverage has hit the web with several movie sites and blogs sharing the first trailer for the indie UK horror/thriller (trailer link below). Dreadcentral, Shock’tilYouDrop and Bloody Disgusting were among the many sites covering the news.

Now the producers at Movie Mogul Films have confirmed the Market Premiere of ‘Panic Button’ will happen in Cannes at 2pm on May 18th at the Palais Riviera (2k Digital screening, 5.1 Dolby Surround).

Meanwhile, a series of concept posters (see the first – a ‘horror-themed’ design – above) and behind-the-scenes photos have been revealed – check out the official Panic Button Facebook page for more interactive shenanigans!

‘Panic Button’ – trailer #1

Breaking News: ‘The Lamplighters’

I’m thrilled to be able to announce that my first horror novel ‘The Lamplighters’ is to be published by Samhain Publishing.
More details (cover art, dates, etc.) as and when I get them.
Needless to say, I’m bloody excited by the prospect of working with Don D’Auria, one of the genre’s very best editors, to make the manuscript the best it can be.
The Samhain Horror line launches this Hallowe’en and I’m pleased as pumpkin punch that ‘The Lamplighters’ will be part of the line up… Cheers dear Readers!

Reasons to love the 21st century: Dynamo Player

‘On Edge’ and ‘Red Lines’, my horror shorts starring Doug Bradley, are available to watch online through various outlets (and in varying levels of quality), which has helped build an audience and garner reviews – but without any revenue for the filmmaker.

Paying audiences purchased the full DVD version with extras (thank you!) and with the advent of VOD this material was also made available for online viewing via Amazon.com – but in the USA only.

Now comes Dynamo Player, referred to as a “game changer” by Guerilla Filmmaker’s Handbook entrepreneur Chris Jones (who also offers some good follow-up feedback and advice for filmmakers here and here). Basically, this new player enables filmmakers to rent out their movies and DVD extras as online “programs” viewable by anyone with an internet connection anywhere in the world willing to pay less than a couple of bucks for the privilege. It remains to be seen whether or not the profit share scheme offered by such online players will achieve enough revenue for guys like me to fund new films with the proceeds – and that’s where you come in…
If you fancy checking out ‘On Edge’, ‘Red Lines’ and extras including an exclusive 17min on-set interview with Doug Bradley, follow THIS LINK (free preview available & if you rent, all the material is yours for 7 days).

Why should you rent? Good question 🙂 Here are some FAQs:

Q. Why should I rent? I can watch these movies on YouTube right?
A. Hopefully the extra features (including that cool 17min interview with Doug Bradley) will be enough of a draw for you. The video quality is better than on YouTube. And if enough people rent, the proceeds will go toward funding a new movie (& imagine how good you’ll feel about that 🙂

Q. It’ll be a pain in the ass to pay though?
A. Nope, use your PayPal or Amazon account and you’re good to go.

Q. What if I have technical issues with Dynamo Player?
A. Get in touch with the Dynamo dudes at support@dynamoplayer.com

Q. I’d rather not?
A. Damn your eyes! I mean I respect your decision, but… damn your eyes! 😉

Let’s see if this really is an online game changer for indie filmmakers & their audiences – I welcome your comments on whether or not you’d be happy to rent this stuff online (assuming you’re not one of those kind people who purchased a DVD copy already) – and how it goes for you if you do take the plunge.

And as always, thanks for watching, wherever you are watching…

PANIC BUTTON (2011) – First Trailer!

Movie Mogul Films today unleashed the first trailer for social networking horror/thriller ‘PANIC BUTTON.‘ Kudos and congrats to cast and crew! So, welcome aboard, put your seat-back tray in the closed position and prepare for some turbulence… Please reTweet/Facebook share/Blog the trailer link – and as always, love to see your comments.

http://www.dailymotion.com/swf/video/xgzlt7_panic-button-2011-trailer-1_shortfilms?additionalInfos=0
PANIC BUTTON (2011) Trailer 1
Uploaded by JohnShack. – Check out other Film & TV videos.