Proof that one letter can change your life. #OnEdge20

OnEdge20

#OnEdge20 is a series of posts commemorating 20 years since I rolled cameras on my first short film.

DAY 1

Today is exactly 20 years since I rolled cameras on my first short film as writer/director, On Edge.

I don’t like looking back so much, I’d much rather keep my focus on what’s ahead. But 20 years does feel like a pretty significant anniversary, so…

To commemorate each day of the film shoot I will be posting about the making of the film, starting today (24th July) and concluding on the day we wrapped (28th July). I have trawled through the archives to find artefacts that have never been shared online before — until now.

And the first of these is a letter.

A single sheet of headed A4 paper, bearing the logo of Soho’s The Creative Partnership, and the signature of author Christopher Fowler.

It’s a letter that changed my life.

Twenty one years ago, I was studying for a Masters in screenwriting under the tutorship of guru Philip Parker. One of our assignments was to adapt an existing story into a short film script. Around that time, I had become aware of an emerging master of the short horror story, British author Christopher Fowler. I had already devoured a couple of his early novels, including the brilliant Roofworld, and was hungry for more, so I invested (very wisely) in a copy of his collection Sharper Knives, which included a blackly-comic, dental horror story called On Edge. I sat bolt upright in bed and told myself that this story had to be made into a film.

With my homework assignment as further impetus (I always work best to a strict deadline, to this day) I set about adapting the story. The assignment brief meant that the script had to be around 30 pages long. The story was at most going to come in at around fifteen minutes, so I created a subplot in which the impatient patient, Peter Thurlow, was set up for a painful fall by his estranged wife. I also opted to include a bit more detail about Doctor Matthews’ background. Visualising his ‘difficult’ schooldays via flashbacks, i intercut these with the main action culminating in some horrific business with a sharp pencil in an exam hall. (The gory escalation was intended to mirror the horror occurring in the dentist’s chair.)

The homework assignment was a success, but I knew that the film would be incredibly expensive to make at 30 minutes long. As a rule of thumb, at that time it would cost around £1,000 to produce each minute of finished film. To explain this further, I was determined that we were to shoot and deliver on 35mm Cinemascope, to present as cinematic experience as possible — an approach very much shared and supported by my producing partner Joseph Alberti at Robber Baron Productions. On Edge was to be our calling card, and we were confident if we got it right, we might get a feature film project off the ground.  So, in order to make the film realisable on a budget, I immediately dropped the spousal revenge subplot, cutting the script back to around 18 pages. (Still too long, but further edits were to come, as they always do.)

In a fit of youthful exuberance / pure madness, i decided to send a copy of the script to the author of the short story, Mr Christopher Fowler himself, begging him for the rights to make the film. He replied, and you can see that reply below. I have never shown anyone outside of the production this letter (and I wrote to Christopher last week to ask his permission one more time —  20 years after first doing so — but this time via email, and this time requesting permission to publish his letter on my blog, which I’m happy to say he granted. Thanks again Mr Fowler!).

I remember tucking the letter inside my copy of the shooting script, as a memento of the journey to getting the film made, sure, but also as a reminder to my future self — the future self who is writing this blog entry today — that all it takes sometimes is one person to see some potential in what you are doing, to give you a break, and ultimately to change your life.

Making On Edge changed my life in so many ways. It taught me a lot about directing, screenwriting, and of course the process of adaptation. I have since worked on many screenplays and films as a writer/director and a story consultant, and have published short stories and novels of my own.

Proof that one letter can change your life.

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Tune into the blog tomorrow for more #OnEdge20

Watch On Edge
on Amazon VOD
and DVD

Check out the On Edge
screening history & list of awards
here

Guest author Catherine Cavendish: ‘If You Go Down to the (Screaming) Woods Today…’

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…You had better be prepared to experience more than you bargained for. Especially if the woods in question are in the vicinity of the Kent village of Pluckley. Properly known as Dering Woods, this forest is more commonly known as the Screaming Woods – and for very good reason.

The area itself is situated just south of England’s (arguably) most haunted village – Pluckley – where it seems almost every building and piece of land has its own ghost story to tell. Pinnock Bridge has its Gypsy or Watercress Woman who is supposed to have set herself on fire from a combination of the pipe she was smoking and the gin she was drinking at the same time. She wafts around as a misty figure.

The Elvey Farm has a haunted dairy where an 18thcentury farmer – Edward Brett – fatally shot himself. He is still heard, muttering ‘I will do it.’

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A black silhouette of a miller haunts the site of an old windmill, while a red lady walks her small white dog around the churchyard and a white lady wanders around inside the same church. The locals at the time of her death must have really feared her. She was buried inside not one, but sevencoffins AND an oak sarcophagus. She’s still pacing around there though!

An unfortunate love affair led to the suicide (by poisoning) of the Lady of Rose Court, and a poor man who fell into a clay pit still screams in agony. A schoolmaster who hanged himself is still apparently trapped at the site of his demise.

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Now, after experiencing all that, you could well be forgiven for deciding to retire to the local hostelry (the Black Horse Inn). Surely here you could kick back and relax over a pint of foaming ale or a glass of comforting wine? Not a bit of it! After the phantom coach and horses have thundered by outside, expect things to start flying around you as the resident poltergeist gets to work.

But I digress. Back to the woods.

In the 18thcentury, a highwayman called Robert du Bois was tracked down and run through with a sword while he hid in a tree in these very woods. Another version states that he was dragged to the woods before being lynched. Either way, his are the screams which give the woods their name – along with a couple of other unfortunates, such as the army colonel who hanged himself and still can be seen dangling from his tree, and the ghostly soldier who wanders the woodland paths. Others who have simply lost their way – and never found it again – add their desperate voices to the cacophony from beyond the grave.

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Sceptics might say it’s just foxes. Everyone knows foxes can make a terrible racket. As if hell itself had opened and let the screams of the damned escape.

But those of us who know about such things, don’t need any such explanations.

Do we?

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There are plenty of sinister goings-on – and a terrifying some demon – in my novella, The Devil Inside Her. This is what to expect:

When nightmares become dreams, someone must die

Haunted by the death of her husband and only child, Elinor Gentry’s recurring nightmares have left her exhausted. She’s crippled by debt, and only the remnants of her former life surround her, things she can’t bear to sell, and wouldn’t make much profit from if she did. Then, for no apparent reason, the nightmares transform into pleasant dreams. Dreams that lead her to take back control of her life.

A string of horrific and unexplained suicides–and an unnerving discovery about Elinor herself—lead her best friend to seek help from the one person who has seen all this before, and things begin to spiral out of control. Hazel Messinger knows that Elinor’s newly found wellbeing is not what it seems, and Hazel’s not about to let the demon inside remain there permanently.

You can buy The Devil Inside Her here;

Amazon

Barnes and Noble

About the author

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Following a varied career in sales, advertising and career guidance, Catherine Cavendish is now the full-time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. Cat’s novels include the Nemesis of the Gods trilogy– Wrath of the Ancients, Waking the Ancients and Damned by the Ancients, plusThe Devil’s Serenade,The Pendle Curseand Saving Grace Devine.

Her novellas, Cold Revenge, Miss Abigail’s Room, The Demons of Cambian Street, The Devil Inside Her, andThe Second Wifehave now been released in new editions by Crossroad Press.

She lives with her long-suffering husband, and a black cat who has never forgotten that her species used to be worshipped in ancient Egypt. She sees no reason why that practice should not continue. Cat and her family divide their time between Liverpool and a 260-year-old haunted apartment in North Wales.

You can connect with Cat here:

Catherine Cavendish

Facebook

Twitter

Goodreads

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Thanks to Catherine Cavendish for another wonderful guest blog post!
Be sure to read her books, and connect with her on social media.

#TheStayMovie awarded Silver Award for Best Horror Short at Independent Shorts Awards in LA USA

frazerlee's avatarThe Stay

TheStayMovieSILVERISA

Thanks to the curators of the Independent Shorts Awards in Los Angeles USA for selecting The Stay and awarding our film the amazing Best Horror Short Silver Award!

Check the Awards website for the full list of honours.

36865701_2088807444480334_631847478026567680_nMany thanks to the cast & crew, and all our supporters for helping make The Stay a successful independent film production.

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Next up – DragonCon Independent Film Festival, Aug 30–Sept 3, 2018 Atlanta, GA USA!

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See #TheStayMovie at HorrorCon UK next weekend!

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If supernatural suspense / folky horror is your kind of thing, be sure to catch The Stay, screening in Official Selection at HorrorCon UK next weekend.

The film is part of a scare-packed programme, which includes talks, traders, tunes — and of course very special guests including the legendary Dario Argento and musical maestro Claudio Simonetti, Re-Animators Jeff Combs and Barbara Crampton — among many, many more.

If you’re brave enough to venture into the film screenings, let me know what you think of the film — in the comments below, or on Facebook, or Twitter.

Beast witches,
Frazer x 

HCUK-Poster-2018

It’s March 13th ~ and ‘The Daniel Gates Adventures, Vol. 1’ is out now!

out now!

It’s the 13th today, what better date for my occult horror novellas THE LUCIFER GLASS and THE LEPER WINDOW to be available in one volume from Crossroad Press?

Lucky (or unlucky!) for some — depending on your perspective on weird tales of demonic grimoires and cursed artefacts.

kick back, relax, and…

BUY THE DANIEL GATES ADVENTURES, Vol. 1

from:

Amazon.com

Amazon.co.uk

Barnes & Noble

Smashwords

— and wherever occult tomes and evil mirrors are sold.

Explore the links above to read free sample chapters in your browser, or to send them to your Kindle/e-reader/mobile device!

you can take the horror with you – anywhere

ABOUT THE DANIEL GATES ADVENTURES:

Together in one volume, the first two novellas in the Daniel Gates Adventures.

THE LUCIFER GLASS

“It may cost you your soul. ”

Daniel Gates is a fixer. Whatever his client wants, he can get for a price. But the price of his latest assignment is a high one indeed. He is to travel to Scotland to exchange a rare demonic text, a grimoire, for a consignment of even rarer whiskey. Reading the grimoire, Gates learns of the legend of Lucifer s Glass and the unholy trinity of green-eyed demons who protect it. As he does battle with the demons, Daniel realizes too late that there is much more to his assignment than meets the eye. He is locked in a struggle to save his very soul from damnation.

THE LEPER WINDOW

“Do not gaze into its secrets.”

Daniel Gates’s last assignment involving a rare demonic book left him plagued by hideous nightmares, which are about to get even worse. When a page is stolen from Choronzon’s Grimoire, Daniel is sent to the wilds of North Wales to retrieve it for his mysterious client. But the stolen page contains dark, occult secrets, and he finds to his peril that he is not the only one desperate to find it. Daniel’s journey takes him to the very brink of madness and to the demons that await—beyond the Leper Window.

note to self – if you come across a demonic grimoire in your local library, maybe just put it back on the shelf…

StokerCon 2018 and Ann Radcliffe Academic Conference schedule

Good evening Providence!

If you’re heading out to Providence, RI for StokerCon 2018 & the Ann Radcliffe Academic Conference, I look forward to seeing you there for amazing Guests of Honour, a huge range of panels, presentations, Horror University workshops, the Final Frame Film Contest, and the Bram Stoker Awards® Banquet.

Here’s my schedule for the duration:

ANN RADCLIFFE ACADEMIC CONFERENCE
@StokerCon 2018

THURSDAY, MARCH 1, 2018

Panel 2: Monster Studies, Eurasia / 11:45 AM – 1:15 PM

  • Emily Anctil, “‘Not a Bedtime Story’: Investigating Textual Interactions Between the Horror Genre and Children’s Picturebooks”
  • Naomi Borwein, “Monster Studies, Monster Anthropology, and Australian Aboriginal Horror Literature”
  • Frazer Lee, “Koji Suzuki’s Ring – A World Literary Perspective”
  • Amanda Trujillo, “Contagious Curses: Identifying the Characteristics and Origins of a Horror Trope”

STOKERCON 2018

READING – FRIDAY, MARCH 2

Block Four, 10 a.m.

Patrick Freivald, Heather Herrman, and Frazer Lee 

All readings will take place in L’Apogee on the 17th Floor.

Following each reading, authors will be available for signings in the Dealers Room (Renaissance Salon) as their schedules allow. Special thanks to Broad Universe, sponsor of our Autographing Table.

PANEL – FRIDAY, MARCH 2

5:00 P.M.

A (Haunted) House with Many Rooms—Horror Sub-Genres 

State Suite A / Moderator: Tim Waggoner; Panelists: Don D’Auria, Frazer Lee, Jennifer Loring, Donald Sidney-Fryer, Paul Tremblay

The horror genre encompasses a multitude of types: action, bizarro, body, extreme, gothic, Lovecraftian, psychological, splatterpunk, the supernatural, vampire, weird, Western, zombie, ghost stories, and many others. The panelists will discuss how sub-genres evolve and key works that have defined or inspired sub-genres. Can authors become typecast in a sub-genre? What about mash-ups? What new types of horror might emerge in the future?

PANEL – SATURDAY, MARCH 3

3:00 P.M.

Terrifying Teaching Tactics

State Suite C / Moderator: Michael Arnzen; Panelists: Heather Herrman, Frazer Lee, Thomas F. Monteleone, Sara Tantlinger

Educators who write and teach horror fiction, poetry, and film are a rare and darksome breed! Come learn their classroom strategies that engage learners with horror entertainment and help new writers enter the field we all love. The discussion will include not only books and  movies that have educational value but also actual activities that use the craft and technique of horror writing to advance learning. What should those considering a career in horror education know?

PANEL – SATURDAY, MARCH 3

5:00 P.M.

Book to Screen: How to Market Your Work for Film and Television

State Suite B / Moderator: Lynne Hansen; Panelists: J.D. Barker, Michael Gingold, Frazer Lee, Daniel Waters, Douglas E. Winter

Think your book would make a great movie or television show? So do a lot of other authors! What attracts the interest of producers and filmmakers? What makes a novel or story a good candidate for film or TV? What works against it? How do you go about getting your work into the hands of filmmakers and protect your intellectual property in the process?

Check out the Stokercon website at: http://stokercon2018.org

And the Horror Writers Association at: http://horror.org

#TheStayMovie in Official Selection at Starburst MediaCity Festival 2018 – get free festival passes here!

frazerlee's avatarThe Stay

The Stay is screening in Official Selection at Starburst MediaCity Festival 2018.

The festival takes place at The Landing in MediaCity, Salford UK (March 16-17) including the STARBURST Fantasy Awards 2018, and you can book FREE TICKETS* here.

(*first 500 applicants, see festival website for T&Cs)

Check out the impressive line-up of genre films and guests at https://starburstmagazine.com/filmfestival/
See #TheStayMovie at Starburst Media City Festival 2018 - free tickets

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#TheStayMovie wins Silver at the Spotlight Horror Film Awards

Brilliant news…

frazerlee's avatarThe Stay

TheStaySpotlight

Brilliant news just in from the Spotlight Horror Film Awards:

“After reviewing hundreds of films this year, we have compiled our first list of of the best independent films of 2017. 
 
I am so honored to announce your project The Stay has been selected as one of the top horror films of the year.”

Check out the full list of honours on the Spotlight Film Awards page:
http://www.spotlighthorrorawards.com/2017awards.html

Our thanks to the Spotlight organisers!

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#TheStayMovie in Official Selection for Bloodstained Indie Film Festival 2017

frazerlee's avatarThe Stay

Great news! The Stay is in Official Selection for Bloodstained Indie Film Festival: Sci-Fi Horror Action 2017 in Shanghai, China.

Our thanks to the festival programmers for selecting the film.

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See the full Bloodstained Indie Film Festival: Sci-Fi Horror Action selection here.

Watch THE STAY on Amazon VOD here.

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#TheStayMovie wins Best Short Film Award at Changing Face International Film Festival!

It’s my very great honour to announce that THE STAY picked up the Best Short  Film (Sci-Fi) Award at the Changing Face International Film Festival 2017 (Sydney, Australia).

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See all the Winners and Finalists here.

A huge thank you to the Festival organisers from the cast & crew of THE STAY!

Watch THE STAY on Amazon VOD here.