A nervous glance back at 2023 & a cheeky peek forward to 2024

As i sat beside the fire last night, nursing a Guinness & burning the Yule Log & last year’s Xmas tree offcut, i got to thinking about the importance of rituals in daily life.

And, as is customary on this blog, it’s time once more to ritualistically take a quick look back at events of last year before stepping into the unfolding mystery of the new.

(I know these year-in-review posts can be the last thing you might wish to read if you’re struggling right now. If that’s the case, I’d just like to send you my love & all best wishes for the year ahead.)

2023 was a year of highs & lows for sure, as I’m sure was the case for many of you. The terrible loss of so many luminaries hit hard each and every time. Personally speaking, losing both Chris Fowler & Benjamin Zephaniah in 2023 was nothing short of savage. Both had such an impact on anyone who knew them, and their work, and both left us far too soon.

The highs kept me going some. 2023 was The Year of The Doctor, and not only because it was the 60th anniversary of the much beloved franchise. After 5 years of research, which flew by, I completed my PhD and can now call myself a Doctor of horror. And I finally got to achieve a lifetime ambition to write something officially within the Whoniverse, in the form of Gobbledegook, a 5th Doctor audio adventure for Big Finish Productions.

I was also lucky enough to publish Planet of the Dead, a short story in the Blake’s 7 universe, as part of Cult Edge’s charity annual project — another ambition fulfilled.

My novella series The Daniel Gates Adventures was collected in paperback for the first time by Crossroad Press — just in time for my only live event of 2023, the brilliant Haunted Landscapes Conference in Falmouth, where I presented a short paper (snappily entitled The Jackboot in the Green: Writing Corporate Horrors in Folkloresque Landscapes).

Post-Covid lockdowns, the indie film industry finally kicked into gear again, with my folk horror short The Stay picking up its 30th award on the film festival circuit. I signed a shopping agreement with Play House Studios for my psychological horror feature screenplay Knock Three Times, and launched my next directorial project, Death By PowerPoint with my partners at Reel Fearz, Ash Verma Consulting & Brunel University, and which will hopefully shoot in 2024.

Early 2024 will see the publication of my horror story To Take the Water Down and Go to Sleep, and… beyond that? Well, to be honest it’s all a bit of a mystery right now, and hopefully in a good way! (I won’t even mention the possibility of that ever elusive new The Cure album… oops!)

So, I hope I’ll see you here again this time next year to take stock, count blessings, and to commiserate if necessary. In the meantime, here’s wishing you a happy, healthy, imaginative 2024.

Take care out there and, as always, thanks for reading.

Love, Frazer x

It’s behind you! 2022: “Oh no it isn’t!” 2023: “Oh yes it is!”

HAPPY NEW YEAR!

As is customary on this blog, time for a quick glance back before looking ahead.

2022 was a political pantomime of giant horse costume proportions, and I live in hope of a General Election in 2023… Aside from all that, it was a great year for creativity, and for reconnection with others, but an absolute stinker for illness as we all started circulating once more after the lockdowns. Covid finally caught up with me in June, and it hit me real bad, but I was grateful to have gotten over the worst of it after a couple of weeks. Yuletide gifted the Winter vomity bug, which was as unpleasant as it sounds, but I recovered just in time for the obligatory glass of Guinness on NYE.

My big news of the year was of course the publication of Damnation: The Gothic Game (the official novelisation of my favourite board game of all time) on Halloween. The re-vamped (yes, pun intended AGAIN, sorry-not-sorry) game will be unleashed in Spring of 2023 after a few inevitable delays, along with the game’s soundtrack, so that’s already something to look forward to. Thanks again to Kris Rees & Blackletter Games for the opportunity, and to the Gothic Game’s co-creator Robert Wynne-Simmons, who also published an official novelisation of his own, the most excellent Blood on Satan’s Claw, which I was only too happy to support on the Unbound platform. It was a fanboy thrill to see my name in the book’s end credits!

I completed my PhD thesis in 2022 and will have my viva voce in early 2023 (not sure if that’s something to look forward to or not, i’ll let you know how it goes!). My short story Ill Met By Moonlight was republished in Castle of Horror Vol. 7, and my historical horror novel The Skintaker returned in paperback thanks to the wonderful people at Crossroad Press/Macabre Ink. My film The Stay went from strength to strength, picking up another five awards on the festival circuit, including Best Horror in Austin & Hollywood, and Best Mystery Thriller in sunny Cyprus. I’m so grateful to all the festival organisers and audiences for supporting my film, and as ever to my cast, crew, and backers for their hard work and belief in the end product.

In-person events were back on the menu, and I had such a blast at Chillercon in Scar(e)borough, meeting horror heroes old & new, almost selling out of books & blu rays, and finally getting to sit on Bram Stoker’s bench (another ambition fulfilled). My thanks to organisers Marie O’Regan and Paul Kane, and to all the awesome guests and attendees. As hoped last year, The Cure did indeed go on tour in 2022 and I was lucky to see them in Birmingham and London (times three) bringing my show tally up to a respectable 42 since my first Cureshow on December 6th, 1987. 2022’s Shows of a Lost World Birmingham gig was on December 7th, so 35 years and a day since my first! No new album yet, though we were treated to five of the new songs, so that’s also something to look forward to in 2023 (we hope!). It was a pleasure to return to teaching in-person creative writing classes at Brunel University and to see my students graduate at the first offline ceremonies in three long years (not a dry eye in the house!).

And in the spirit of looking forward, I have my first ever Blake’s 7 story published early 2023 in a charity annual endorsed by series star Jan (Cally) Chappell. I’m looking forward to presenting Writing Horror at University of Hull’s Faculty of Arts, Cultures & Education later this month. One or two other things are in the works, but I’m not at liberty to say anything about them (yet!). Who knows what else 2023 will bring? Come what may, I hope yours is a happy and healthy one.

Thanks again for all your support & best wishes,
Frazer x